- Equilibrium
- Disruption
- Resolution
- New Equilibrium
Therefore our story will immediately grab the audiences attention because it is not what they are used to. They are immediately thrown into the deep end and this will engage them because they will try to figure out what is going on and why it is not following the usual structure of a film.
The hidden identity of the antagonist will also highly engage the audience. It is very clear from the costume and the angles that the antagonist is shown in that he is a bad character rather than a good character. However they do not see his face or have any hints as to who he is. It will encourage them to keep watching because they would've seen Anastasia and what is happening to her, however they will not know who is doing it or why they're doing it. So they will keep watching so that they can get the answers to their questions, it will also give them a sense of pleasure because as the film progresses they would get more action codes to give them an idea of the antagonist's identity, so they will start making their own predictions. If they predict the right identity then they we'll start to feel clever and will provide them with that sense of achievement, which according to Maslow's Hierarchy of Needs will give them a boost in 'Self-Esteem'.
The main character: Anastasia was purposely constructed to fit in with our target audience, we really wanted to create a likable and relatible character that the audience can connect with and build a relationship with. We used close-ups and extreme close-ups to really emphasise how she is feeling to position the audience to connect with her emotions and feel a large amount of sympathy for her. As the audience are given the chance to connect with Anastasia within the first minute of the film they will instantly start to build a relationship with her character, causing them to want to watch more because they can see in the beginning that she is in trouble and they will want to know that she ends up happy in order to gain a sense of catharsis.
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